Monday, July 28, 2008

Preparing Photos of the Cambodian Children: A Lau Family Event!

















July 28, 2008

E-mail from Vey Lav

Dear Leah,

Thank you very much for your quick response and preparing some photos for our young kids. I am going to say "hi" to them and let them know you are thinking of them too.

Every body still remembers speaking with you. They have left very nice hand written letters in English at the library. Some of the letters will be sent in to the school web page for next generations and motivate others.

All the best,

Vey


July 28, 2008

Hi, Vey!

How are you? Thank you very much for your kind update. I love to hear how the children are doing.

I think about them all of the time, and am happy to report that, with my loving and talented family's support, we were able to finish turning the best film photos into digital versions today.

My siblings, Alliey and Eric Lau scanned them for me, with logistical support from my sisters Cathy and Grace Lau, and my brother-in-law, Anthony Haraguchi—a real family event! We worked together to save them in digital format. The photos turned out beautifully, especially the ones of the young children outside.

The next step is for me to have them uploaded to my Web site. My designer, Olivier D'Arceaux (http://www.odxcreative.com), was kind enough to donate the build time. Once the photos are ready for you to see, I'll send you the finished Web page (August 25, 2008 update. The link is live: www.leahlau.com/cambodianchildren).

Please say "hi" to the children for me, and tell the younger ones that their photos turned out beautifully and that I'll be sharing with you soon.

Thanks again for looking out for the books. Hopefully, they will arrive at for Rithy at the Angkor Hospital for Children soon.

All my best,

Leah

Sunday, July 13, 2008

The Cambodian Children's Book Project Begins!
















July 26, 2008

Dear Leah,

I am doing fine and you? I hope you are good. I have been busy for few days a Elma and at work. Kids are doing fine too, they have so happy at Elma school. They have left handwritten letters of thanks to school, teachers, donors and materials.

The young kids who have outdoor pictures taken wanted to see their pictures.

Your picture books sent to Elma have not arrived yet, I will let you know when they reach my friend, Rithy's mail box at the Angkor Hospital for Children. Anyway thank you so much for your donation and kindness to our people.

All very best from Elma Cambodia,

Vey


July 21, 2008

Hi, Vey!

How are you? I miss the children a lot and think about them all of the time. I would like to get back to visit someday when I can save the money. Angkor was so beautiful and the visit with the children so meaningful. Meeting them was a highlight of my trip.

Many of the photos that I took outside turned out beautifully because we had enough sunlight. I'm working on making digital scans of the film so that I can get it ready to send in a Web page to you. I will keep you posted on that progress. The photos that I took of the younger girls outside are so precious. They are so beautiful and joyful. Those photos are really special. (August 25, 2008 update: www.leahlau.com/cambodianchildren.)

I mailed the first box of books last week to your friend Rithy Yam at the Angkor Hospital for Children. I hope they arrive alright. Could you please let me know when you receive them?

This first box of books is mostly from my personal collection. I love children's books and used to work at a bookstore so I learned about a lot of children's books then, in addition to ones I knew about from when I was a child. I hope that the students like them.

All my best,

Leah


July 18, 2008

Dear Leah,

It is so nice to get your kind message, I am always glad to hear from you too. It is true, sending materials from US is costly, every thing is charged in US dollars and they follow US policy system. Please do not rush, if you find a shipping company that costs much lower please take it. I do not mind if it is taking long time.

The kids are happy to hear from you, they said thanks you so much for spending time with them. The small kids were so excited when they spoke with you and had pictures taken. Finally they wished you good luck but they missed speaking with you and look forward to seeing you back.

Thank you once again for helping with my web page and gathering books for our library.

All very best,

Vey


July 13, 2008

Hi, Vey!

How are you?

I think about the students all of the time. Please tell them "hi" from me. I spent all last week getting a box of books to send to them and went to the post office to mail it last Friday.

The cost for international shipping has gone up recently and I was shocked at the high quotes that I got. I went to a few different shipping places to find out different price quotes ranging from $112 to $521! They all turned out to be very expensive because of how remote Siem Reap is but I'll return next week and mail the books from the least expensive place.

I'm sorry that, because of how expensive the shipping turned out to be, that it is taking me so long to ship books, but I'll have them headed your way. I've asked people here in the United States to donate books and told them that I will be responsible for paying for the shipping to Cambodia so book donations will come in to me at different times, including into the future.

All my best,

Leah

Sunday, July 6, 2008

A Guide to Photographing Angkor, Cambodia

Dear family and friends,

As many of you guessed, Angkor, in Cambodia, was my favorite site during my three-week photography shooting expedition to Southeast Asia from June 11–July 2, 2008.

Angkor refers to the hundreds of Buddhist and Hindu temples spread across a vast stretch of Cambodia. Angkor Wat refers, specifically, to the giant star of a temple that everyone has heard of—the largest religious monument ever built.

Under the leadership of a succession of kings for 200 years, Angkor was designed by the most brilliant philosophers, astrologers, architects and engineers who merged art and science to create monuments of vision, harmony, symmetry and balance, which incorporate solar orientation.

Special thanks to Vey Lav, who was my cultural guide during my first few days at Angkor; Mr. Savay, my ever-present tuk tuk driver; and Dave Perkes, photographer and owner of Peace of Angkor Villa, in Siem Reap, http://www.peaceofangkor.com/, who shared with me his guide to "Angkor Obscura."

Because the Angkor site is so vast, it would take months to visit all of the excavated temples (hundreds more have yet to be unlocked from the jungle overgrowth) and learn about them.

Of my nine days in Cambodia, I spent seven focused on scouting and shooting Angkor.

It was the beginning of monsoon season which, like anything, has its blessings and its shortcomings: fewer tourists, more dramatic light, more mosquitoes, more rain, lower rates for accommodations. Did I mention fewer tourists?

Next time, I'd like to visit at the end of monsoon season, when the pools are more full. This will yield more reflection options. That timing is September through December.

According to Dave, November offers the most beautiful light. (A magical month in that part of the world. The Himalaya is also supposed to have the best light in November.)

Be sure to pick up a detailed map of not only the main Angkor complex right around Angkor Wat, but of the smaller temples within the main complex and of major outlying sites like Banteay Srei, the Roluos Group, Kbal Spean and Beng Mealea.

The guidebook snapshots won't go into that level of detail but if you fall in love with the entire Angkor site, like I did, you'll be glad to know about all of the possibilities. The free "Siem Reap Angkor Visitors Guide Map Supplement" is a good place to start.

Hire a private tuk tuk driver, motorcycle or car (whatever suits your budget and physical comfort level).

My tuk tuk experience was really positive. Just be sure to always wear sunblock and sunglasses, plus use a handkerchief over your nose and mouth. They'll protect your face from the inevitable dirt, dust, insects and flying pebbles of open-air travel. (I learned the hard way.)

To have Angkor almost to yourself, start your days early, presunrise or at sunrise. The temples are a sanctuary at that time.

You'll have peace, quiet, and fewer people to shoot around before the group tour buses unload at 8 a.m. Once your surroundings are flooded with hundreds of point-and-shoot camera-wielding tourists wandering into your field of vision, composition after composition will slip away.

The jungle also starts to get unbearably hot around 8 or 9, so you'll be thankful for the relative coolness and more forgiving humidity of that early start.

At the Angkor entrance, you'll need to buy a 1-day, 3-day or 7-day pass. Angkor merits at least a 3-day visit but if you only allot 1 day, stick to the most spectacular, and yes, popular sites.

If you're doing some serious photography, give yourself seven days minimum. I could have stayed there for a month and can't wait until the year I return.

Once you get your entrance pass, hold onto it throughout your visit and keep it easily accessible. You'll need to flash it to the Angkor staff as often as your passport during overland border crossings and international flight check-ins.

Given these basic timing parameters, here are my recommendations for must-see temples.

1-day itinerary

Angkor Wat
Start with the star, Angkor Wat, a small city which took 37 years to build. Get there early in the morning, though for only one day, I don't recommend trying to catch sunrise unless you have a guide with you.

The temple is so huge, it's easy to get lost during your first, or even second, visit. Spend an hour or two exploring the hallways, rooms, shrines, staircases, levels, lookout points and adjacent sandstone libraries.

South Gate of Angkor Thom
While you still have some morning light, go to the South Gate of Angkor Thom. There, two rows of sculptures will line the entrance.

On clear days, the morning light illuminates these perfectly, and the river forms a perfect backdrop.

The Bayon
Go through the South Gate to the Bayon. Easily one of my favorite sites ever, hundreds of giant, serene portraits are carved into the multifarious pillars.

Close-ups of the portraits are world-famous. Equally dramatic are wider shots of the temple itself. Designed with wonderful symmetry, it's beautiful from all angles.

Take a walk around the temple through the surrounding forest and watch the light dappling through the bark onto the stone. It's a magical way to spend the morning.

Coconuuuuuut
By this point, you'll probably need a break. Be sure to drink plenty of water no matter the season. The jungle's going to take it out of you unless you're used to living in that environment.

Better than plain water is something with electrolytes, like Gatorade or Gu.

I ran out of my own stash early into the trip but found the juice of fresh green coconuts a more refreshing and natural supplement.

Local Cambodian merchants sell these at stalls throughout Angkor. For $1 USD, they'll wield a butcher knife with lightening precision and present you with a self-contained drinking vessel.

Place a napkin across the top opening to keep the bugs out.

I was up to four coconuts on some days, and I swear they saved me. It makes sense to have jungle juice replenish what the jungle air is taking out of you.

Lunch at Khmer Village Restaurant
For lunch, drive to the small Angkor village of Srass Srong. A handful of restaurants line the river.

Khmer Village restaurant was by far my favorite restaurant of my entire time in Cambodia. I ate lunch there almost every day and the English-speaking Cambodian kids were kind, smart, gracious and charming.

They accommodated my veganism, they remembered my special order (I always got the vegetarian noodle soup and also made up my own dish of stir-fried rice noodles, tofu, morning glories and lemongrass), and they never gave me food poisoning.

On my last day, they even gave me a present! Care like that made me feel whole again.

Khmer Village Restaurant
House No. 045 Group 3
Srass Srong Village
Telephone No.: 012 390 583
Open daily

Ta Prohm
Now that you're refreshed, go to nearby Ta Prohm. This is the most famous site of giant Sponge Tree roots growing around the temples. Otherworldly images.

Give yourself an hour to walk all of the way through the site. It truly feels like divine forces are at work.

Apparently, some of the scenes of "Tomb Raider" were filmed here. Several of the male Angkor guides waxed poetic about what it was like to see Angelina Jolie in person.

Phnom Bakheng
The highest point (altitude-wise) in all of Angkor, this is the most popular spot to watch sunset.

It's not a great place to shoot from because, at this high vantage point, the temples are so far away and tiny.

But it's an experience to climb the many ultrasteep staircases (a common Buddhist architectural feature throughout Angkor) and get a birds-eye view of the site.

Brace yourself for the crowds.

Dinner at Borey Sovann
You'll be staying in Siem Reap, the congested city hub for Angkor. Restaurants with varying quality abound.

Within Siem Reap proper, my favorite was Borey Sovann. I didn't grab the business card and address but it's a major restaurant situated on one of the few main streets.

The cuisine is authentically Cambodian but with its superbly trained English-speaking Cambodian staff and heavily decorated air conditioned dining, the management definitely caters to western tourists.

On the one hand, that didn't sit great with me but on the other, I ordered delicious vegan meals with ease and they, like the fine folks at Khmer Village, never gave me food poisoning.

This simple fact is worth gold when you're in a third-world country with limited infrastructure.

*************
3-day itinerary

Now that you've scouted your way around Angkor Wat, brave it in the dark to catch sunrise. Get there 30–45 minutes before sunrise and have your tuk tuk driver drop you off at the main parking lot before the causeway.

You're going to walk for a good 15 minutes up the long causeway and around either the left or right entrances around the temple. It'll be dark. Carry a flashlight or wear a headlamp. Be ready to show the guards your pass. Hope that a monsoon doesn't start.

Walk along the causeway until the five towers of Angkor Wat are visible in the early dawn. Actually, you'll probably only be able to see three from that vantage point but they're unmistakable.

In front of the temple to the left and right are reflection ponds. The left one is full most of the year and the right one is only full at the end of monsoon season.

Plant yourself in front of the left reflection pool and, if it's clear enough as the light starts to make its way through, you'll see a stunning graphic image of the Angkor towers reflected perfectly in the lily pond at your feet.

Heaven. I spent the better part of five mornings watching sunrise from that vantage point.

For the sixth, on the morning of the summer solstice, I walked around to the back of Angkor Wat to catch the sunrise light illuminating the temple. The compositions aren't as clean from the back; it's not as visually dramatic but if you have a lot of time, it's a lovely way to witness an alternate view.

Ta Som
After sunrise, walk through the forest to this small temple.

When you hit the dead end, turn around and look at the doorway in the tree you just walked through.

It is shrouded perfectly, almost unbelievably, by a spindly Ficus Tree that neatly frames the doorway.

Through this keyhole, you can see the forest for hundreds of feet. Provided you are there early enough, you can get a clear long-distance shot of the forest without people walking through your composition.

Preah Khan
In Buddhist architecture, the aesthetic goals of symmetry and balance permeate many of the temple designs.

One of the most beautiful effects is the infinite doorways which are seamlessly aligned so that you could look through 50 doorways in a row and see clear through from the first to the last.

Preah Khan, a less-visited neighbor of Ta Prohm, dramatically achieves this effect. And, because it receives fewer visitors, you have a greater chance of getting a long depth-of-field shot without people walking through.

In its thick jungle enclosure, Preah Khan also benefits from the Sponge Tree root growth that gives Ta Prohm so much of its otherworldly ambiance.

Take some time to walk around out back and visit the stone library. If you climb to the top of the adjacent stairs, you can get eye level with the roof.

Thommanon

The tiny, ornate Thommanon temple doesn't show up on overview maps. As such, it was one of the "obscure" temples that Dave recommended to me.

In the late afternoon, the early sunset light will hit the most beautiful side of this temple perfectly. Hardly anyone else will be there.

Pre Rup
After you've gotten your requisite Phnom Bakheng sunset out of the way, climb to the top of red lava rock Pre Rup in the late afternoon to watch the towers and pillars aflame and stick around to watch the sun set from the highest lookout platforms.

On a clear day after sunrise, the light will illuminate the front of the temple. Tough to get a clear overview shot without people milling around, though.

The adjacent East Mebon is, architecturally, an earlier and less impressive version of Pre Rup. The elephants in the corners are lovely, though.

*************
7-days or more

With this luxurious amount of time, you'll really feel Angkor become a part of you, rather than feeling like one of the thousands of tourists blasting your way through too many locations.

You don't want to see the temples so quickly that they become an indistinguishable blur of sandstone and carved bas reliefs.

Each one is unique and you'll definitely feel yourself more drawn to some than others.

Banteay Srei
Thirty seven km north of Siem Reap, Banteay Srei, or the Temple of Women, is a Hindu temple constructed of pink sandstone.

Of all of the temples in Angkor, this one has some of the most ornate details and intricate carvings.

The most beautiful times of day to visit this site are at sunset and sunrise. Sunrise would hit the opening gates perfectly. Most people can catch sunset here but on account of its more remote location, sunrise would be a bit tougher.

To be that early bird, you'd likely have to stay with a local family in the surrounding village.

The Roluos Group
Southeast of Siem Reap, the satellite site of the Roluos Group holds sentimental value for me.

It was here, while photographing sunset light on the Bakong Pyramid momument, that a little deaf girl joined me and gave me ring and flower that she'd made from grass. Together, we sat on a rock and watched the warm light show.

Circumambulate the pyramid and reach the back corner where the late afternoon light hits. If you position yourself just so, you can get an outline of the elephant statues silhouetted against the sky.

The small temple, Preah Ko, has nice brick details that would be lovely in the sunrise light.

Ta Keo and bridge
Another less-crowded neighbor of Ta Prohm is Ta Keo. It's a lovely, dramatic open-air temple that gets nice light in the late afternoon before sunset. The drama of the pillars and climb to the top reminded me of Pre Rup.

Adjacent to the bridge, a charming pair of trees with long, overgrowth roots surround some ancient keyhole-looking doorways.

This tiny, gorgeous spot is deep in forest cover and doesn't get much light so you'd need a tripod and long exposures to bring in enough ambient light. It's still a beautiful spot to walk through.

Neak Pean
Adjacent to Preah Kahn, this meditative spot would be even more beautiful at the end of the monsoon season when the intended pools are full. With animal sculptures anchoring north, south, east and west, this is a beautiful area to walk and enjoy some peace. Few tourists come here.

During my visit, I encountered older Cambodians who had come to meditate. Through the translations of my cultural guide, I learned that they were tickled by my presence and by my huge backpack. Even with Angkor's popularity, they weren't used to seeing tourists at their peaceful sanctuary. We smiled and waved to each other a lot.

Banteay Kdei
Adjacent to Ta Prohm, this crumbling temple exudes moody ambiance. Compared with its restored neighbors, it borders on feeling like a ghost town.

It is most beautiful in the morning after sunrise and in the late afternoon light.

Preah Palilay
This small Buddhist temple is surrounded by tall trees growing out of its foundations. A quiet, forested place with hardly any tourists, it is prettiest in the late afternoon.

Until next time
I would love to say that I visited and captured every spot on my wish list but seven days didn't come close to being enough time. Beng Mealea, Kbal Spean, Chau Srey Vibol, Banteay Prei, and Prasat Kravan are a few of the sites I've yet to see with my own eyes.

May your journeys, near and far, always fulfill your heart's desires.

Leah


Leah C. Lau
Photographer, Writer and Philanthropist
Silent Light Photography
http://www.leahlau.com/

Thursday, July 3, 2008

Buddha Nature in the Thai Jungle

Letter home about Thailand on July 3, 2008

Dear family and friends,

Three weeks, three countries, three cultures. A journey that ends not with a bang or a whimper but a monsoon and a kiss.

I'm writing from my soft, warm bed in San Francisco.

I took one of the hottest showers of my life, luxuriating in the ability to crank up the heat and feel something other than a trickle of cold water.

I enjoyed my first uninterrupted night of sleep in weeks because no mosquitoes were buzzing around my ears. (Not buying a mosquito net before I left was probably my biggest travel mistake. By the time I got to Southeast Asia, I couldn't find one, in spite of several wild goose chases around the markets.)

When my friend, Sujata Mody, picked me up from SFO and I saw her familiar, welcoming face, my relief was palpable: I was actually home.

I would have written this final e-mail from Bangkok but the Internet connection at my guesthouse was infuriatingly slow (in 30 minutes, I was only able to read two e-mails and send one) and then a monsoon started and lasted most of the evening while I was hand-scrawling these travel notes until I keeled over from exhaustion.

*************
The ancient capital
My final photo shoot was at Sukhothai, one of the ancient Thai capitals, and her sister site, Si Satchanalai.

For most of my journey throughout Cambodia, Thailand and Laos, I'd been visiting temples.

No other temples can compare to Angkor, so what was special for me about Sukhothai and Si Satchanalai were the colossal Buddhas.

Following my Angkor model, I hired a private tuk tuk driver for the two days that I was shooting. The sweet little garden guesthouse where I stayed in New Sukhothai City, Ban Thai, referred me to Mr. Vinay.

(For future trips, I would stay in the Old City. Guesthouses there are across the street from Sukhothai Historical Park. I was concerned that the tiny Old City wouldn't have enough resources but it had plenty, and a lot more ambiance than the New City.)

White-knuckle tuk tuk ride
At 5:30 a.m., when Mr. Vinay pulled up, I was baffled by the layout of the tuk tuk.

In Cambodia, the motorcycle and driver were in front and the open-air passenger seats were in back.

This northern Thailand tuk tuk was rear-wheel drive with the motorcycle in the back.

Horrified, I did the math: I would be facing the open road with literally no barrier in front of me.

Envision the back of a pick-up truck with no tailgate. Now flip it around so that's the front of the vehicle.

No seatbelts, no windshield. Nothing between you and freedom ... or imminent disaster.

The first time we got on the highway, I was clutching the sides of my seat bench so hard that my forearms strained. I was convinced this was the end of my life and I had done this to myself.

My only regret was that all of my exposed film was back in my bungalow at Ban Thai and, having left no specific instructions with the staff there, what were the odds that it would get shipped back to the United States so that someone could develop it?

The drive from the main Sukhothai Historical Park site to the more remote and, hence, less-visited Si Satchanalai is approximately 70 km along a paved road through the jungle.

Banana trees, coconut trees and glorious tropical flowers lined the route, creating a verdant jungle landscape as far as the eye could see.

Monsoons consumed most of the days but during the breaks, the sky was a giant puff of white clouds and blue sky reminiscent of ancient Greek paintings.

A few minutes into the ride—and a lot of soul searching later—I started to enjoy myself.

The open-air vantage point of riding in a tuk tuk like this is pure freedom.

I had committed to two days of shooting at Sukhothai and Si Satchanalai. I wasn't going to ride a bicycle between these long distances, I'm too clumsy to ride a motorcycle, and renting a car was cost prohibitive for me, so rear-wheel drive tuk tuk it was.

Colossal Buddhas
Within Sukhothai, my favorite giant Buddhas were the colossal seated Buddha at Wat Si Chum which appears through a keyhole; Wat Sa Si, which is surrounded by pillars and a moat; and Wat Saphan Hin, which requires a short hike up a rough stone path to a hilltop view.

Mr. Vinay's English was limited and my Thai nonexistent (I found it harder to pick up than my bits of Cambodian and Lao), so we worked through ideas with a lot of sign language and laughter. He was good natured and knew the sites to perfection.

Understanding that I'm a photographer, he was mindful of lighting conditions even though it was almost impossible for me to explain those concepts to him verbally given our language restraints.

While in Cambodia, I had worked with a separate tuk tuk driver and a cultural guide. In Thailand, Mr. Vinay helped me perfectly as a hybrid of both skill sets.

During the first sunrise, we visited Wat Si Chum, and I was absolutely enthralled by the serene colossal Buddha seated in the calling the earth to witness pose (signifying the Buddha's enlightenment), with its giant right hand reaching toward the ground.

The fluid, boneless, Sukhothai style of Buddhas is my favorite. I halfheartedly took some shots but the light was very gray and flat so I told Mr. Vinay how much I loved the site but that we'd have to try again another time when the light was better.

Next, he drove me to Wat Saphan Hin, and we laughed as we hiked up the stone path while most of the city was still asleep (except for the monks in their orange robes making the alms circuit).

It was around 6, and the heavy cloud cover opened up just enough to let some soft gold sunrise light through.

By then, I was positioned on the hillside looking up at a giant standing Buddha with a hand positioned facing out and forming a dramatic contrast against the sky.

I only had a few minutes of good light before the sky closed up again but I told Mr. Vinay that because of that good few minutes, the trip was already a success.

He could tell from my expression and by my pointing out what I loved about the scene what I was after.

That set the stage for our two days working together.

I scouted all of Sukhothai Historical Park pretty quickly and, on account of the rainy weather, only stopped to shoot a little.

By the afternoon, I asked Mr. Vinay what more I could see there and he communicated that I had seen it all, so I asked him about Si Satchanalai.

He was willing to drive there and knew the sites there very well, but he said it was a long drive and that we should wait until the next day.

It was around 2 p.m., and I calculated that we still had a good four hours of light l left. It was about an hour's drive to get there.

For several minutes, we bantered back and forth about going that afternoon or waiting until the next day.

Sensing an end game, I pulled out my pocket calendar and pointed to the current day, June 29. Next, I pointed to June 30 and said that was my last day at Sukhothai. Then I pointed to July 1 and said I was taking a bus to Bangkok.

Finally, I pointed to late at night on July 1 heading into July 2 and said "airport, fly to America" and gesticulated the signs for the flight by laying my left hand out flat, running my right hand across my left palm, and making the motion of the plane taking off into the air.

He understood my urgency and, in spite of his being tired, laughed at my determination and gave me a big smile and nod.

We were off to scout Si Satchanalai.

Echoes of Angkor
The temples at Si Satchanalai were larger than those at Sukhothai, more untouched and in better condition. Hardly anyone else was around.

I felt twinges of Angkor because the temples were grander and had more echoes of the Khmer architecture. Actually, the Khmers did build the oldest structures at Sukhothai and Si Satchanalai.

During the height of Angkor power, the Khmers controlled much of present-day Thailand, though they overextended their reach so that didn't last for long.

Since I left Angkor, I've missed it, so it was nice to feel a bit of its presence right before I left Southeast Asia.

Just before sunset, Mr. Vinay drove me to an offsite section of Si Satchanalai, called Wat Phra Si Rattanamahatath Chaliang.

There, I visited three of the most beautiful giant Buddhas I saw throughout my entire trip.

One platform pilgrimage site was a double Buddha image with a larger one seated protectively behind a smaller one. Adjacent to these was a powerful colossal Buddha looking up at the sky and encased between two tall pillars.

I loved the double Buddha platform but the sunset light was directly behind them and the light was very flat. I knew that sunrise would be perfect, much to my delight and Mr. Vinay's chagrin.

When I pointed this out to him, he gave me a look as though he knew that was coming. He belly laughed so hard I thought he was going to cry but he smiled and nodded that yes, he would drive me back here at sunrise.

When we left at 5:30 a.m. on my last shooting expedition day, another monsoon started.

While I was being pelted with rain throughout the hour-long tuk tuk drive back out to Si Satchanalai, I wondered many times what I was doing.

Was the monsoon going to last 20 minutes or three hours? Was I dragging myself and poor Mr. Vinay to this remote site in vain?

What was I doing risking my life again on this totally dangerous tuk tuk through the jungle of Thailand?

By the time we got to Si Satchanalai and drove directly to the double giant Buddhas, the monsoon had finished.

I hiked through the temple clearing and started to set up my tripod and get into position to capture the hints of sunrise light on the Buddhas, both in the calling the earth to witness pose.

No one else was around. I looked at my favorite Buddhas and the sweet offerings of food and water that worshippers had left in front of them.

I watched the sky. You have to trust the sky—it will tell you everything you need to know.

Waiting in silence, I watched the sun start to break through the clouds.

In the stillness, with no one else around, I reflected on my trip, and all of the events, good and bad, that had brought me to this remote spot in Thailand at this particular moment in my life.

I reflected on how lucky I was to be alive and to have experienced everything that I had throughout my trip. I was thankful for the good things in my life and mindful that the bad things are temporary.

And then I was rewarded as gold sunrise light broke through and cast soft, even light on the Buddhas from 6:30 to 8:30. I celebrated this bit of good luck but knew that I had so much more to be grateful for than good photography shooting light.

Mindful of the time and weather (another monsoon was starting), we headed back to the main Sukhothai Historical Park so that we'd be close to town and resources. I asked Mr. Vinay to drive me by Wat Si Chum for the fourth time.

Each visit, I made a little pilgrimage but the light was never more than a dull gray. Mr. Vinay apologized for this and said that he wished that the light was better for me these past two days.

I told him that the sites were beautiful and I enjoyed my visit in spite of the monsoons and gray light.

I thanked him for his knowledge of the sites and for his understanding what types of temples I loved the most. I told him that I couldn't have seen and learned what I did without his knowledge.

Cultural exchanges
My cultural exchanges throughout the trip consisted of baffling incidents in addition to the more clear ones.

During that last Wat Si Chum visit, I ran into a Thai film crew shooting some footage of the colossal Buddha.

A monsoon was under way so I visited the site one last time under the cover of a borrowed umbrella, and the crew didn't shoot for a long time. It consisted of a lead videographer, a camera assistant or two, and a woman with notepads who appeared to be a producer of some sort.

They looked at me in my bandanna and giant backpack and spoke amongst themselves in Thai.

The men left to return to their crew van with Thai signage on the panels but the woman stayed on to speak to me in limited English.

After explaining that they were filming a cultural documentary on Thailand's history, she asked what I was doing in Thailand.

I pointed to my backpack, said it contained some big cameras and that I was a photographer. Then the clarity fell apart when she tried to ask me about my work and I tried to explain it.

Two-thirds into my trip, I had run out of business cards so had resorted to handwriting my Web site information on little scraps of paper. I handed her one and pointed to my Web site URL but it's hardly as self-explanatory an experience as seeing one of my business cards emblazoned with the mini photo of Patagonia.

After some more broken conversation in the rain, she went into the film crew's van and I went back to my tuk tuk to finish waiting out the monsoon (this one lasted a couple of hours and it's no use driving in rain like that).

After a few minutes, she appeared at my tuk tuk and asked me to come with her. Baffled, I asked her why.

Hamstrung by the language barrier, she couldn't answer why, exactly, but kept saying that I should get all of my things together and go with them—that they wanted me to join them.

I explained to her that I was leaving soon to return to America and that I wasn't sure that I could help them at all. Were they looking for another photography expert?

I really had no idea, and with the language barrier, I couldn't ascertain their interest in me. She repeated her request for several minutes but without a clear sense of why they were asking me to join them, I didn't feel right about getting in a van with a bunch of strangers right before I was due to leave the country!

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Oh, and as for that kiss? My flight home departed Bangkok at 6 a.m., so I had to leave my guesthouse at 3 a.m. While making my way through the dark lobby, I almost crashed into two discombobulated Frenchmen who asked what on earth I was doing up at that hour. While pointing to my expedition duffle, I said that I was going to the airport.

I asked what they were doing and they communicated in limited English that they'd made a mistake about something, where they were supposed to be or when they were supposed to be somewhere.

Unsure of their circumstances, I tried to clarify, "You had the wrong date?" And Frenchman No. 1 replied, "No, he's not my date." They disappeared down an alley. I shrugged and figured we just weren't meant to understand each other.

Then Frenchman No. 2 reappeared and asked me, "Can I give you a kiss?" In response to my deer-in-headlights look, he went on, "I love to kiss beautiful girls."

Who can resist a French accent in the middle of the night? I pointed to my cheek and then hailed a cab to the airport.

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My Asia travels complete for now, I've turned my globe at home to my remaining two continents: Africa and Australasia. Namibia and the South Island of New Zealand beckon.

Be brave, be adventurous and be honest. I will do the same.

Love,

Leah


Leah C. Lau
Photographer, Writer and Philanthropist
Silent Light Photography
www.leahlau.com